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Amanda Cadogan, Painter

In order to attain the highest perfection in painting it is necessary to understand the antiques, nay , to be so thoroughly possessed of this knowledge that it may diffuse itself everywhere. Yet it must be judiciously applied, so that it may not in the least smell of the stone.
Peter Paul Rubens

 

Translatio, Imitatio


Portrait of a Youth
after Boltraffio

Completed 10/96
oil on canvas, 16” by 20”
Class Still Life with Nectarine
Completed 7/97
oil on canvas affixed to board, 14” by 18”

Lady with an Ermine
after Leonardo Da Vinci

Completed 12/97
oil on canvas, 20” by 27”


Kitchen Maid
after Jan Vermeer
Completed 10/99
oil on canvas, 16” by 18”

The Little Shepherd
after Corot

Completed 5/00
oil on canvas, 24” by 28”
Landscape
after Corot

Unfinished as of 9/00
oil on canvas, 11” by 12”
 


The Lacemaker
after Jan Vermeer

in progress
oil on canvas, 9” by 10.5”
Study of French statue of Galatea
Unfinished as of 12/01
oil on canvas, 19” by 36”
Study for Los Borrachos, after Diego Velásquez
Completed 1/02
ink and ink wash on toned paper, 9” by 10.5”

 

Aemulatio

I. Landscape Study of the Villa Gamberaia,
Settignano, Italy
(from life)
Completed 9/00
oil on canvas board, 9” by 12”
II. Landscape Study of the Villa Gamberaia,
Settignano, Italy (from life)

Completed 9/00
oil on canvas board, 12” by 16”
III. Landscape Study of the Villa Gamberaia,
Settignano, Italy

Completed 9/00
oil on canvas board, 9” by 12”

 



Still Life with Pears
Completed 11/99
oil on canvas, 11” by 12”
Still Life with Radishes
Completed 7/01, sold 8/01
oil on canvas, 12” by 12.875”
Still Life with Pitcher, Bread and Apples
Completed 8/01
oil on canvas, 16” by 20”



Still Life with Bowl and Green Pears
Work in progress
oil on canvas, 12” by 12”
Study for Portrait of Molly
Completed 8/01
charcoal on paper, 13” by 19.5”
Study for Portrait of Colleen
Completed 9/01
charcoal and pencil on brown paper, 16” by 21”

 

Study for Self Portrait Completed 4/01
charcoal on brown paper, 18” by 24”